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Our Country's Good | Until October 26 | Royal Alexandra Theatre

In 1788, Britain opened Australia’s first penal colony with 734 men, women and children—criminals—sent into exile “for our country’s good.” This brilliant historical drama tells the powerful, true story of a ragbag cast of those first convicts who put on a play under the guidance of an earnest young marine officer. As the barriers between captors and captives break down, they start to discover each other, both onstage and behind the scenes.

On the 25th anniversary of its Olivier Award-winning premiere, original, acclaimed director Max Stafford-Clark brings his new production of this great classic. A co-production by Karl Sydow, an Out of Joint, and Octagon Theatre Bolton production.

Wicked | Until November 2 | Ed Mirvish Theatre (formerly The Canon)

Winner of over 50 major awards, including a Grammy and three Tony awards, Wicked is one of Broadway’s biggest musical blockbusters. Two girls meet in the land of Oz. One, with emerald green skin, is smart and fiery but misunderstood while the other is beautiful, ambitious and very popular. They grow to become the Wicked Witch of the West and Glinda the Good.

Before and after the Horizon: Anishinaabe Artists of the Great Lakes | Until November 25 | Art Gallery of Ontario

For more than 12,000 years, the Great Lakes region has produced a distinct culture of Anishinaabe artists and storytellers. These artists and stories are being celebrated with Before and after the Horizon: Anishinaabe Artists of the Great Lakes, featuring artworks by leading modern and contemporary artists -- including Norval Morrisseau, Bonnie Devine, Robert Houle, Keesic Douglas, Michael Belmore, Daphne Odjig and others -- who sought to visually express the spiritual and social dimensions of human relations with the earth.

The traditional home of the Anishinaabe peoples -- comprised of Algonquin, Mississauga, Nippissing, Ojibwe (Chippewa), Odawa (Ottawa), Potawatomi and Saulteaux nations -- the region includes Ontario, Manitoba and Quebec in addition to eight U.S. states and has inspired generations of stories and experiences that are spiritual, political and challenge certain accepted accounts of history. These same sources of inspiration are visible in traditional Anishinaabe arts included in the exhibition, including clan pictographs on treaty documents, bags embroidered with porcupine quill, painted drums and carved pipes, spoons and bowls.

Alex Colville | Until January 4 | Art Gallery of Ontario

More than 100 works by Canadian iconic painter Alex Colville marks the largest exhibition of the late artist’s work to date. Curated by Andrew Hunter, the exhibition honours Colville’s legacy and explore the continuing impact of his work from the perspectives of several prominent popular culture figures from film, literature and music.

Known for painting decidedly personal subject matter, Colville’s painstakingly precise images depict an elusive tension, capturing moments perpetually on the edge of change and the unknown, often imbued with a deep sense of danger. Featuring works assembled from museums and private collections nationwide, many of which have never been shown publicly, the exhibition spans Colville’s entire career.

Toronto FC vs Portland | September 27 | BMO Field

Toronto FC is a professional soccer team which competes in the Major League Soccer (MLS). Toronto became MLS's fourteenth team in the league, and the first Canadian team, upon their expansion in 2007. The team play their home matches at the soccer-specific BMO Field, located in Exhibition Place along the Toronto lake shore.

The club has won four consecutive Amway Canadian Championships from 2009 to 2012.

Kiss and cry | From October 1 to October 5 | St Lawrence Centre for the Arts

Two hands, one male, one female, portray the characters of this narrative with an engaging and sensual presence as they dance around a set of miniature landscapes with absolute precision. Projected live, this extraordinary blend of film, dance, text and theatre is unlike anything you’ve seen before and is sure to leave you breathless.

The Boy with Tape on his Face | From October 1 to October 19 | Panasonic Theatre

This silent comedy had sold-out season in London's West End. Its unique blend of stand-up comedy with no talking, drama with no dialogue, and punch lines without words won the Edinburgh Comedy Award, The Boy is New Zealand's Sam Wills, whose piercing blue eyes stare out above a mouth that remains firmly sealed with gaffer tape throughout the show. Everyday objects are put to creative new uses, with the help of slapstick imagination and a popular soundtrack. Each scene builds suspense until its hilarious and unpredictable climax... sometimes with the help of audience volunteers!

What makes a Man | From October 5 to November 2 |

French-Armenian singer Charles Aznavour is one of the world’s last living “showmen” who, at 90 years, is still a dazzling performer and songwriter. Created from his rich and diverse catalogue of songs, What Makes a Man is inspired by the life he lived, observed and wrote about. In a moment of personal self-examination, four distinct aspects of one man are born: poet, survivor, performer and prophet, collectively embodied by four extraordinary vocal artists.

A living portrait that deconstructs the fabric of personality, this world premiere piece is being created by Jennifer Tarver, director of Venus in Fur (2013), and Toronto’s Necessary Angel Theatre Company, Canadian Stage’s Berkeley Street partners for the next three seasons.

Toronto FC vs Houston | October 8 | BMO Field

Toronto FC is a professional soccer team which competes in the Major League Soccer (MLS). Toronto became MLS's fourteenth team in the league, and the first Canadian team, upon their expansion in 2007. The team play their home matches at the soccer-specific BMO Field, located in Exhibition Place along the Toronto lake shore.

The club has won four consecutive Amway Canadian Championships from 2009 to 2012.

Helen Lawrence | From October 12 to November 1 | St Lawrence Centre for the Arts

Visual artist Stan Douglas and screenwriter Chris Haddock collaborate to create a production that is at the frontier of new media use in performance. Inspired by post-war film noir, Helen Lawrence intertwines theatre, visual art, live-action filming and computer-generated simulations in this beautifully crafted suspense-filled tale. As Vancouver struggles to reorganize itself after World War II, forces diverge as to who should really hold the power.

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